Eyes of the Innocent: A Mystery

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Our Privacy Notice has been updated to explain how we use cookies, which you accept by continuing to use this website. To withdraw your consent, see Your Choices. About the author. Related Links. Community Criminalelement. From the Publisher Minotaur Books. Being in voice, if I may use that expression, is the only way for the story to be authentic. In many ways, writing a novel was very different from writing memoirs, but when it came to crawling inside a character—whether that character was an earlier version of myself or a product of my imagination—the earlier books helped me a lot.

Yes, unquestionably. In fact, all the characters in the book, from inmates to judges to lawyers to prison guards to family members, are characters I could easily conjure up because I have met and gotten to know versions of those people in my professional life.

Many readers have expressed that the ending was very intense and emotional for them. Did the story or the characters come first for you?

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I am gratified to hear of that reaction. The ending was intense and emotional for me as well, and I experienced the ending in my head before I ever wrote it. In fact, the first ending I wrote was different from the current ending, because writing the ending that happened in my head was too wrenching for me, so I wanted to write an alternative version. But the alternative felt like an emotional evasion to me, so I ultimately wrote the ending as I originally conceived and experienced it.

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As for the chicken or egg part of the question, I must confess that the answer is both. The broad outline of the story is what came first, but when it came to populating the story, I developed characters who I think have been living in my imagination for probably ten years or longer. What inspired you to write this story—not only a prison diary but also a suspenseful revenge plot?

Even though I am no longer a death penalty supporter, I take very seriously the argument death penalty proponents make about the demands of justice and morality. James's to the dangerous docks of the Thames. Read praise for the series. Sebastian St. Cyr investigates the mysterious life and death of a nobleman transported formurder in this enthralling new historical mystery from the USA Today bestselling author of Why Kill the Innocent But the festive atmosphere is marred one warm summer evening by the brutal murder of a disgraced British nobleman long thought dead.

Even before his arrest, Hayes had been disowned by his father, and few in London were surprised when they heard the ne'er-do-well had died a convict in New South Wales. But those reports were obviously wrong. Recently Hayes returned to London with a mysterious young boy in tow—a child who vanishes shortly after Nicholas's body is discovered. Cyr, Viscount Devlin, is drawn into the investigation by his valet, Jules Calhoun, an old friend of the dead man.

With Calhoun's help, Sebastian begins to piece together the shattered life of the late Earl's ill-fated youngest son.

Why did Nicholas risk his life and freedom by returning to England? And why did he bring the now-missing young boy with him? Several nervous Londoners had reason to fear that Nicholas Hayes had returned to kill them. One of them might have decided to kill him first.

Cyr Book The death of a handsome but dissolute nobleman strikes close to home for Sebastian St. W hen sadistic young Lord Ashworth is found brutally murdered in his silk hung, blood-soaked bed, Sebastian St. Cyr, Viscount Devlin, is called in to help catch the killer.

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Just seven months before, Sebastian had suspected Ashworth of aiding in the kidnapping and murder of a string of vulnerable street children. But Sebastian was never able to prove Ashworth's complicity. Nor was he able to prevent his troubled, headstrong young niece, Stephanie, from entering into a disastrous marriage with the dangerous nobleman. With mounting evidence—from a small bloody handprint to a woman's silk stocking—suggesting that Ashworth's killer was a woman, Sebastian must delve deep into the murdered man's debauched life and unravel the treacherous schemes of a deadly Russian duchess to keep Stephanie from being convicted of murder.

And as the allied armies march on Paris and Napoleon's end draws near, Sebastian races to confront a chilling, ruthless killer who will stop at nothing and spare no one. Check out the readers guide. A brutal murder draws nobleman Sebastian St. Cyr into the tangled web of the British royal court A s a cruel winter holds the city in its icy grip, the bloody body of a beautiful young musician is found half-buried in a snowdrift.

Jane Ambrose's ties to Princess Charlotte, the only child of the Prince Regent and heir presumptive to the throne, panic the palace, which moves quickly to shut down any investigation into the death of the talented pianist. But Sebastian St. Cyr, Viscount Devlin, and his wife Hero refuse to allow Jane's murderer to escape justice.

Untangling the secrets of Jane's world leads Sebastian into a maze of dangerous treachery where each player has his or her own unsavory agenda and no one can be trusted. As the Thames freezes over and the people of London pour onto the ice for a Frost Fair, Sebastian and Hero find their investigation circling back to the palace and building to a chilling crescendo of deceit and death.

The gruesome murder of a young boy takes Sebastian St. Cyr from the gritty streets of London to the glittering pleasure haunts of the aristocracy. S ebastian St. Cyr, Viscount Devlin, is no stranger to the dark side of the city, but he's never seen anything like this: the brutalized body of a fifteen-year-old boy dumped into a makeshift grave on the grounds of an abandoned factory.

One of London's many homeless children, Benji Thatcher was abducted and tortured before his murder—and his younger sister is still missing. Few in authority care about a street urchin's fate, but Sebastian refuses to let this killer go unpunished. Uncovering a disturbing pattern of missing children, Sebastian is drawn into a shadowy, sadistic world. As he follows a grim trail that leads from the writings of the debauched Marquis de Sade to the city's most notorious brothels, he comes to a horrifying realization: someone from society's upper echelon is preying upon the city's most vulnerable.

And though dark, powerful forces are moving against him, Sebastian will risk his reputation and his life to keep more innocents from harm. The tragic death of an enigmatic young stranger draws Sebastian St.

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Cyr and his wife, Hero, into a perilous tangle of passion and intrigue in this breath-taking new mystery from C. Cyr, Viscount Devlin, has come to this seemingly peaceful Shropshire village to honor a slain friend and on a quest to learn more about his own ancestry.


I is for Innocent

But when the body of a lovely widow is found on the banks of the River Teme, a bottle of laudanum at her side, the village's inexperienced new magistrate turns to St. Cyr for help. Sebastian quickly realizes that Emma Chance did not take her own life. Less easy to understand is exactly how she died, and why. For as Sebastian and Hero soon discover, Emma was hiding both her true identity and her real reasons for traveling to Ayleswick. Also troubling is the presence in the village of Lucien Bonaparte, the estranged brother of the megalomaniac French Emperor Napoleon, now held captive under the British government's watchful eye.

Then Sebastian's investigation takes on new urgency when he discovers that Emma was not the first, or even the second, beautiful young woman in the village to die under suspicious circumstances. Home to a haunting, ruined monastery, Ayleswick reveals itself to be a dark and dangerous place of secrets that have festered among the villagers for decades—and a violent past that may be connected to Sebastian's own unsettling origins.

As he faces his most diabolical opponent ever, Sebastian is forced to consider just how far he's willing to go in order to destroy a killer. Read an excerpt.